Summit

A work that masterfully plays with the perception of space and materiality: snow-capped mountains emerge from torn paper, whose irregular and jagged edges become a central compositional element rather than a mere frame. This material fracture reveals a layered alpine landscape where white peaks rise with geometric authority, while dark blue forests create a volumetric mass that anchors the composition. The mist diffused among the fir trees introduces an atmospheric dimension of great suggestion, blurring the contours and generating a depth that transcends the two-dimensional plane. The texture of the torn paper, with its exposed fibers and irregular edges, dialogues with the ruggedness of the mountain landscape, creating a tactile coherence that amplifies visual immersion. The neutral background is not passive, but functional in emphasizing the contrast between the materiality of the paper and the illusionistic depth of the landscape, generating a fascinating tension between surface and space. The torn paper effect lends a dramatic immediacy to the work, as if the landscape had just been revealed, inviting the viewer to an intense contemplation of natural grandeur.